Showing posts with label Poets. Show all posts
Showing posts with label Poets. Show all posts

Thursday, April 7, 2011

Woman in a Shoe by Marge Piercy

There was an old woman who lived
in a shoe, her own two shoes,
men's they were, brown and worn.
They flapped when she hobbled along.

There was an old woman who lived
in a refrigerator box under
the expressway with her cat.
January, they died curled together.

There was an old woman who lived
in a room under the roof. It
got hot, but she was scared
to open the window. It got hotter.

Too hot, too cold, too poor,
too old. Invisible unless
she annoys you, invisible
unless she gets in your way.

In fairy tales if you are kind
to an old woman, she gives you
the thing you desperately need:
an unconquerable sword, a purse

bottomless and always filled,
a magical ring. We don't believe
that anymore. Such tales were
made up by old women scared

to be thrust from the hearth,
shoved into the street to starve.
Who fears an old woman pushing
a grocery cart? She is talking

to god as she shuffles along,
her life in her pockets. You
are the true child of her heart
and you see living garbage.

Tuesday, August 31, 2010

Wait For Her

With an azure drinking cup studded with lapis, wait for her
In the evening at the spring, among perfumed roses, wait for her
With the patience of a horse trained for mountains, wait for her
With the distinctive, aesthetic taste of a prince, wait for her
With seven pillows stuffed with light clouds, wait for her
With strands of womanly incense wafting, wait for her
With the manly scent of sandalwood on horseback, wait for her
Wait for her and do not rush.

If she arrives late, wait for her.
If she arrives early, wait for her.
Do not frighten the birds in her braided hair.
Wait for her to sit in a garden at the peak of its flowering.
Wait for her so that she may breathe this air, so strange to her heart.
Wait for her to lift her garment from her calf, cloud by cloud.
And wait for her.

Take her to the balcony to watch the moon drowning in milk.
Wait for her and offer her water before wine.
Do not glance at the twin partridges sleeping on her chest.
Wait and gently touch her hand as she sets a cup on marble.
As if you are carrying the dew for her, wait.
Speak to her as a flute would to a frightened violin string,
as if you knew what tomorrow would bring.
Wait, and polish the night for her ring by ring.
Wait for her until Night speaks to you thus:
There is no one alive but the two of you.
So take her gently to the death you so desire,
and wait.


| Mahmoud Darwish - A Lesson From The Karma Sutra |

A poet of global significance. A writer formed in the crucible of migration and asylum, he powerfully evokes his experiences in poetry and prose that transcend time and place, drawing on collective memories of loss and longing, and expressing the mutuality of trauma and desire for peace.

Born in Palestine in 1942, he suffered two violent expulsions and spent more than 26 years in exile in Jordan, Lebanon, Cyprus, Tunisia and France before being able to settle in Ramallah where he now lives. His highly acclaimed publication Leaves of Olive was published in 1964. His poems reveal the struggle to assert a sense of belonging and identity, and his prose masterpiece Memory For Forgetfulness (1982) powerfully evokes the experience of forced exile.

Mahmoud Darwish has published more than 30 collections of poetry and prose, and his work has been translated into 35 languages. He is the founding editor of the highly regarded literary review Al Karmel which fosters intercultural debate on intellectual issues and links Arab writers with the international literary community.

Saturday, May 1, 2010

Closer by Anis Mojgani

come closer.
come into this. come closer.
you are quite the beauty. if no one has ever told you that before know that now. you are quite the beauty. there is joy in how your mouth dances with your teeth. your mouth is a sign of how sacred your life truly is. come into this. true of heart come into this. you are true of heart. come closer. come closer. know that whatever God prays to He asked it to help Him make something of worth. He woke from His dreams scraped the soil form the spaces inside Himself made you and was happy. you make the Lord happy.
come into this.

come closer.
know that something softer than us but just as holy planted the pieces of Himself into our feet that we might one day find our way back to Him. you are almost home.
come closer come into this. there are birds beating their wings beneath your breastplate gentle sparrows aching to sing come aching hearts come soldiers of joy doormen of truth come true of heart come into this.
my heart was too big for my body so I let it go and most days this world has thinned me to where I am just another cloud forgetting another flock of swans but believe me when I tell you my soul has squeezed into narrow spaces. place your hand beneath your head when you sleep tonight and you may find it there making beauty as we sleep as we dream as we turn over when I turn over in the ground may the ghosts that I have asked answers of do the turning kneading me into crumbs of light and into this thing love thing called life. come into it!

come you wooden museums
you gentle tigers
negro farces in two broken scenes.
come rusting giants!
I see teacups in your smiles upside down glowing. your hands are like my heart. on some days how it trembles. let us hold them together. I am like you. I too at times am filled with fear. but like a hallway must find the strength to walk through it. walk through this with me. walk through this with me. through this church birthed of blood and muscle where every move our arms take every breath we swallow is worship.
bend with me. there are bones in our throats. if we choke it is only on songs.

- Anis Mojgani
(Check out his blog for his 30 in 30.)