Showing posts with label Daryl Goh. Show all posts
Showing posts with label Daryl Goh. Show all posts

Saturday, April 14, 2012

Wicked Aura Waiting to Explode

By Daryl Goh
darylgohtz@gmail.com

The boys from percussion band Wicked Aura are poised to blow audiences away with their new album, Beginning the End. The percussion specialists talk about what’s ahead right after an intense performance at music-lovers haunt BluJaz Café.

The grenade: a symbol of the explosive sounds of Wicked Aura. Source: Daryl Goh

Wicked Aura’s frontman says the band had humble beginnings just like any other group of aspiring musicians.

Idham Budiman says they were just percussion enthusiasts busking along Orchard Road, wanting to share their passion and talent with the world.

But unlike the average four or five-piece band, this line-up has 12 members and many more instruments.

Ten years on, it’s grown in numbers and experience. Along with the drums, they have now added the electric guitar and bass, electronica, as well as vocals.

They now boast a body of work that includes engagements for corporate events, two albums, and even television appearances.

Their most recent collaboration was a television commercial with telecommunications company Starhub and the Lions XII for regional football draw, the Malaysia Cup 2012.

But their best feature has to be their live performances and Budiman isn’t shy about that fact: “Our music will always draw a reaction from the audience. We’re awesome live!”

His assurance borders on arrogance, but fits his rockstar image. Some might say it’s almost necessary as he leads the ensemble onstage.

As they step on stage, confidence in the band is high, amidst joking and laughter. How do they keep so calm before a physically-draining performance?

Budiman explains: “Some smoking and drinking. After that, a little bit of prayer before hitting the stage.”

“At the end of the day it's about having a lot of fun onstage and feeding off the crowd,” he says matter-of-factly.

Wicked Aura’s audiences are quite a spectacle as well. Amidst the rampant rhythms and flurry of dancing, one cannot help but notice that a large percentage of the audience is female.

This adds to the already sensual nature of the music as the audience sashays to the music. There are no complaints from the band as they continue to flaunt their percussive aptitude.

The response of the crowd matches the intensity and volume of the band as they perform songs from the first album. The air is thick and humid but with perspiration dripping down their faces, the boys of Wicked Aura push through with aplomb.



Budi and his boys perform a new song from their upcoming album, Beginning The End. Filmed LIVE at BluJaz Café.


There is a tense moment when Budiman introduces the song, Evolution Revolution, from the new album.

The audience is relatively quiet due to its unfamiliarity, but not for long. Wicked Aura does what they do best when they draw the crowd in with the anthemic roars of “Revolution!” (lyrics)

The next album, with the working title of Beginning The End is slated for release later this year. The style of music has evolved from the first album. Yazzit, the band’s bassist, reveals that it’s a much heavier album – gone are the instrumental percussion tracks.

Although they include more elements of the rock and metal genre, it’s sounding more listenable and mainstream. There are also the amalgamations of different styles that we have come to expect.

“As a songwriter and lyricist, I’m pretty happy with the stuff I wrote for this album,” brags Budiman. Undoubtedly, the fans of Wicked Aura seem to think so as well.

Undoubtedly, the fans of Wicked Aura seem to think so as well. From the ballistic beats of Bhangra, to fast and flamboyant funk, Wicked Aura continues to amaze audiences with its music.

Friday, March 30, 2012

The Weekend Rockstar


By Daryl Goh
darylgohtz@gmail.com

Musicians Jon Chan and Brian Lim share about the effects of arts events like Mosaic and Baybeats on local music. Jon Chan gives a live acoustic performance of Plainsunset's 'The River Song'.


Audio Interview with Jon Chan & Brian Lim

Stepping onto the train on the weekend, one cannot help but notice the number of kids shouldering guitar bags, heading to practices or performances. It seems that they are not just carrying musical instruments but fantasies of fame as well.

Audiences in Singapore have been enjoying more big-name music acts over the last few years. The most recent being the Mosaic Music Festival, a ten-day event held earlier this month. One wonders if exposure to these musical influences could be causing these dreams to take root.

Jon Chan, lead singer of local punk band, Plainsunset, attributes it to the birth of the Esplanade and the multitude of arts festivals that are held throughout the year. Jon can be considered a veteran in the local music industry. He has been entertaining local and international audiences with his band and as a solo act for 17 years.

“Who wouldn’t want to be on a stage like that?” Jon asks rhetorically. He numbers off the various gigs, competitions and platforms that bands now have to showcase their talent.

“You’ve got the crowd, you’ve got the right equipment and one of the best stages you can possibly get outdoors.” Jon is of course referring to Baybeats, an annual, alternative music festival organised by the Esplanade. This event has been on going since 2002 and is now recognised as one of the top alternative music platforms in Asia. It will be held on 29 June – 1 July 2012.  Jon now sits on its panel of judges, auditioning fresh young bands that want a taste of rock stardom.

Brian Lim, a semi-professional jazz singer, agrees that there are more opportunities now, but adds another perspective, “Those that can make it are those that can stand out from the crowd. It is almost impossible to make a living being a musician.”

Brian is not alone in his sentiment. It is a well-known fact that many performing musicians have day jobs or supplement their income by giving music lessons. Jon exemplifies this lifestyle; he is also a fine arts lecturer at Lasalle College of the Arts.

Becoming a professional musician in Singapore remains an impractical notion due to several factors: Singaporeans still have the mentality that foreign music is better and do not bother with local music. Local bands are perceived to only be imitating and sounding like their western counterparts.

Our multiracial and multilingual culture also works against the local musician. Jon explains that in United States of America, English is the dominant language whereas Singapore’s population is divided in to four main languages and musicians are unable to obtain a critical mass of supporters.

Jon speculates that it will be at least another five years before musicians are able to garner enough support to be self-sustaining. Till then, they will just have to find other ways to keep their dreams alive.